Cows Skull Red White and Blue Metropolitan Museum of Art
Fine art EVALUATION
For assay of paintings
by American artists like
Georgia O'Keeffe, run across:
How to Appreciate Paintings.
Analysis of Cow'south Skull: Reddish, White, and Blue by Georgia O'Keeffe
Trained at the Fine art Plant of Chicago and the Fine art Student's League in New York, where she won the William Merritt Chase prize for oil painting, Georgia O'Keeffe explored the emerging tendency of Precisionism, developed her own unique manner of still life painting, involving blossom enlargements, and went on to become one of the most versatile and innovative 20th century painters in America. At the age of 29 she married her principal supporter - the lensman Alfred Stieglitz (1864-1946) - with whom she lived in an apartment on the 30th-floor of the Shelton Hotel in New York. Then in 1928 she visited New Mexico and was amazed by its natural environment, which she saw as providing a valuable commentary on American art and life. In fact, Moo-cow's Skull: Red, White, and Blue was her submission for what image could best symbolize the American identity. Rather than championing the mural and towns - the approach of movements like Regionalism and American Scene painting - she painted a atmospheric condition-beaten cow's skull to represent the true spirit of America. (See also O'Keeffe's Black Brainchild, 1927.)
In 1929, during her 2d visit to Nex Mexico, O'Keeffe spent the summer at Taos. The brightness of the southern lite lent a remarkable clarity to the desert landscape, revealing its forms with a directness that was in sympathy with the artist'south own artful. In New Mexico "half your work is done for yous", she remarked. The motifs O'Keeffe plant at Taos - the desert flowers, the reddish hills of the bad lands, the crosses and the bones - gave her a new serial of emblems and brought to her work a mythical tone it did not take before. Her artistic focus rapidly shifted from the urban skyscrapers of New York to the ancient, natural environs of New Mexico.
Note: For another of America'southward mod artists who was associated with New Mexico, see the minimalist Agnes Martin (1912-2004).
The many bones littering the expanse were a source of detail fascination for O'Keeffe and served as the subject for a number of her paintings; Moo-cow's skull: Red, White, and Blue is one of the earliest. In the catalogue to an exhibition of her works in 1939, the creative person wrote: "To me, bones are as beautiful every bit anything I know. They are strangely more than living than the animals walking around. The bones seem to cut sharply to the middle of something that is keenly alive in the desert even though it is vast and empty and untouchable."
O'Keeffe began collecting bones during her commencement summer in New Mexico. At the end of her second visit in 1930, she shipped a barrel of bones back to Lake George, New York, where Cow's skull: Red, White, and Blue was painted.
Out of context, the skull in this painting assumes a monumentality and iconic significance. The cardinal blackness stripe confronting the horizontal spread of the horns has religious connotations and recalls the wooden crosses of the New Mexico desert, which O'Keeffe too painted. The upper function of the skull is smooth and flat, while the bottom is made up of ragged pinnacles and hollows, as if the os had been carved away by the same elemental forces that shaped the rugged New Mexican landscape. The ruby-red verticals dissimilarity with the bleached bone in its cool blue surroundings. Diagonal modulations in this bluish painted area animate the static image with folds reminiscent of a weathered valley or draped cloth.
Crimson, white and bluish, the colours of the American flag, feature prominently in the painting. Giving her reasons for this patriotic display, O'Keeffe wrote: "As I was working I thought of the city men I had been seeing in the E. They talked so often of writing the Great American Novel - The Groovy American Play - The Great American Poetry. I am non sure that they aspired to the Great American Painting. So equally I painted on my cow'south skull on blue I thought to myself, make information technology an American Painting. They will not recall it neat with the reddish stripes downwardly the sides - Red, White and Bluish - only they volition discover it."
In 1949 O'Keeffe moved permanently to New Mexico, where she lived until her death in 1986.
Explanation of other 20th Century American Paintings
• Lighthouse at Two Lights (1929) by Edward Hopper.
Coastal landscape from the principal of 'silent paintings'.
• American Gothic (1930) past Grant Wood.
Monumental portrait of Midwest farming couple.
• Midnight Ride of Paul Revere (1931) by Grant Wood.
Iconic American prototype.
• Nighthawks (1942) by Edward Hopper.
Urban genre painting just similar a movie-still.
• Seated Woman (1944) by Willem de Kooning.
The Beginning (triptych) (1949) by Max Beckmann.
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Source: http://www.visual-arts-cork.com/paintings-analysis/cows-skull-okeeffe.htm
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